Hlboko ma oslovil Chaplinov v\u00fdrok: \u201eNezab\u00fadam, \u017ee mi na poslednom s\u00fade premietnu v\u0161etky moje filmy!\u201c Iste\u017ee, Chaplin myslel obsah svojho v\u00fdroku ve\u013emi osobne (alebo azda ani nie?), nie ako film \u017eivota, o ktorom sa \u010dasto hovor\u00ed. Filmy \u2013 ako jeho z\u00e1kladn\u00e9 \u017eivotn\u00e9 dielo, pos\u00fadenie ich kvality ako miery naplnenia \u017eivotn\u00e9ho poslania. A predsa: V\u0161etci by sme mali myslie\u0165 na to, \u017ee n\u00e1m na poslednom s\u00fade premietnu na\u0161e filmy \u2013 obsah na\u0161ich \u017eivotov. Ak sa v sladkom zavrhnut\u00ed zodpovednosti zbav\u00edme my\u0161lienok na \u00a0skladanie \u00fa\u010dtov pred Ve\u013ek\u00fdm Arbitrom medzi dobrom a zlom, mo\u017eno sa stane, \u017ee n\u00e1\u0161 \u017eivot sa bude podoba\u0165 namiesto kvalitn\u00e9mu filmu pochybnej reklame, ktor\u00e1 n\u00e1s presvied\u010da: \u201eA\u017e sa ti raz premietne film tvojho \u017eivota, nech sa je na \u010do pozera\u0165!\u201c To\u00a0by zatia\u013e bolo v poriadku, ale na \u010do sme sa mali pod\u013ea reklamy pozera\u0165? Okrem kopy katastrof na\u00a0z\u00e1vere\u010dn\u00e9 pitie Coca-coly. \u010eakujem, nechcem. Rada by som na ten m\u00f4j film zaznamenala viac.<\/p>\n
Vlastne ani nie viac, ale nie\u010do in\u00e9. A predpoklad\u00e1m, \u017ee iste nielen ja. Seneca n\u00e1m rad\u00ed, \u017ee by sme mali st\u00e1le \u017ei\u0165 akoby pred o\u010dami \u0161\u013eachetn\u00e9ho \u010dloveka, ktor\u00e9ho si v\u00e1\u017eime a chceme sa mu podoba\u0165. Preto na\u0161e skutky sa potom usilujeme korigova\u0165 sami pod\u013ea tohto vzoru n\u00e1\u0161ho konania.
\nAv\u0161ak nie v\u017edy a nie ka\u017ed\u00e9mu sa podar\u00ed vo svojom okol\u00ed natrafi\u0165 na\u00a0tak\u00e9ho \u010dloveka, pod\u013ea ktor\u00e9ho by sme chceli svoje \u010diny usmer\u0148ova\u0165 pri predstave, \u017ee n\u00e1s sleduje. A hoci sme si re\u017eis\u00e9rmi svojho \u017eivotn\u00e9ho filmu sami, nemyslievame ani na to, ak\u00fd n\u00e1\u0161 re\u017eijn\u00fd z\u00e1mer vlastne je, \u010do svoj\u00edm filmom sledujeme. Azda n\u00e1s zav\u0161e zasko\u010d\u00ed t\u00fa\u017eba z neho nie\u010do vystrihn\u00fa\u0165, len\u017ee na\u0161e \u017eivoty sa kr\u00fatia \u201enaostro\u201c, a ni\u010d raz zaznamenan\u00e9 sa u\u017e vystrihn\u00fa\u0165 ned\u00e1.<\/p>\n
Len\u017ee, ve\u013ea nepodaren\u00e9ho, zbabran\u00e9ho e\u0161te mo\u017eno skorigova\u0165 cie\u013eavedom\u00fdm \u00fasil\u00edm. Na to je treba si omyl uvedomi\u0165, pou\u010di\u0165 sa, zamyslie\u0165 sa, n\u00e1js\u0165 in\u00fd sp\u00f4sob rie\u0161enia probl\u00e9mu. \u010ci\u017ee, mali by sme ma\u0165 na pam\u00e4ti, ako sv\u00e4t\u00fd August\u00edn, \u017ee tvorenie n\u00e1\u0161ho filmu predsa len st\u00e1le niekto sleduje. Ten Naj\u0161\u013eachetnej\u0161\u00ed, ktor\u00fd nielen sleduje, ale aj ch\u00e1pe a odp\u00fa\u0161\u0165a na\u0161e re\u017eijn\u00e9 nezvl\u00e1dnutia a prehry d\u0148a. Ten, ktor\u00fd n\u00e1s dok\u00e1\u017ee usmerni\u0165, ak sme ochotn\u00ed da\u0165 si poradi\u0165 \u2013 ak sa dok\u00e1\u017eeme st\u00ed\u0161i\u0165 a vn\u00fatorne na\u010d\u00fava\u0165. Potom sa aj na\u0161e filmy m\u00f4\u017eu zmeni\u0165 z kopy katastrof a pr\u00e1zdnoty, ako v plechovke po vypit\u00ed Coca-coly, v\u00a0chaplinovsk\u00e9 majstrovsk\u00e9 pr\u00edbehy, pln\u00e9 \u013eudsk\u00e9ho porozumenia, s\u00facitu a\u00a0l\u00e1sky. Nikto si svoj \u017eivotn\u00fd film nekr\u00fati iba pre seba. Ale na konci n\u00e1m ho premietnu pre n\u00e1s. A potom nech je v \u0148om viac ne\u017e sladk\u00e9 pop\u00edjanie Coca-coly!<\/p>\n
Eva Fordin\u00e1lov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Hlboko ma oslovil Chaplinov v\u00fdrok: \u201eNezab\u00fadam, \u017ee mi na poslednom s\u00fade premietnu v\u0161etky moje filmy!\u201c Iste\u017ee, Chaplin myslel obsah svojho v\u00fdroku ve\u013emi osobne (alebo azda ani nie?), nie ako film \u017eivota, o ktorom sa \u010dasto […]<\/a><\/p>\n<\/div>","protected":false},"author":10,"featured_media":916,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-1272","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-obzor-seniorov"},"_links":{"self":[{"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/posts\/1272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/comments?post=1272"}],"version-history":[{"count":2,"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/posts\/1272\/revisions"}],"predecessor-version":[{"id":1274,"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/posts\/1272\/revisions\/1274"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/media\/916"}],"wp:attachment":[{"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/media?parent=1272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/categories?post=1272"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/skalickyobzor.sk\/cms\/wp-json\/wp\/v2\/tags?post=1272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}